Exhibitions News

The first design called for mirrors — dropped after a trial.

The repair is old and careful — but the material differs, and the cut end shows it.

One piece carries two marks side by side — and the second is not a forgery.

The dark film in the recesses is left on purpose — without it the relief disappears.

The collection shows objects whose purpose now has to be explained.

The display height is deliberately lower than the museum norm — seventy-five centimetres.

The pair matches in size but not in decoration — and the label says so.

The impression on the base proved clearer in reflected light than in direct light.

The gold is worn in one arc — a trace not of washing but of use.

The services are shown not as sets but by the purpose of each piece — which reveals the logic of the table.

After the run ended the museum did not dismantle everything — three cases remain.

The bend is not damage — the handle was shaped on purpose, and the museum explains why.

Four household vessels used for measuring stand in a case — and none of them is a measure.

The largest ceramic exhibit is assembled from fragments, and the joins were deliberately left untinted.

The Poltava Museum of Folk Gastronomy traces how the recipe changed — and why no single recipe exists.

A selection of the most notable objects on view in “Peasant Kitchen — Reconstruction of Traditional Everyday Life”.

The curators of “Peasant Kitchen — Reconstruction of Traditional Everyday Life” walk through its key objects and their...

The museum invites you to the opening of “Peasant Kitchen — Reconstruction of Traditional Everyday Life” with a...

A selection of the most notable objects on view in “The Ukrainian Rushnyk — Family Ritual Heritage in the Honchar...

The curators of “The Ukrainian Rushnyk — Family Ritual Heritage in the Honchar Collection” walk through its key objects...